![]() ![]() Please follow the instruction of each software to install it.įor further information including refund policy, please refer here. It works of most of the software which supports LUT(.cube file) like Adobe Premiere, Final Cut, DaVinci, etc. On the latest version as of March 1st, 2020įor any other software or device, it should work as long as luts (.cube files) are supported, but we have not tested the operation. you always need some tweaks to get the best result. Please keep in mind, the LUT is not a magic wand solution. So you can apply multiple LT LUT to one clip to create a unique look. The LT version only applies a small amount of effect. It comes with the Normal version and LT version. Once you apply these LUT to your footage, it will turn into a nice cinematic film look with few adjustments. but I guess it works on other manufacture cameras that have Hybrid Log-Gamma too ). It's made for my previous work which I posted on YouTube and shot by Sony camera using the HLG picture profile ( A7 series and A6000 series. For most other cameras that have 10 bit recording then I recommend S-Log3 and LUTPACK includes 16LUTs (8LUTs x 2 Variation) . Typically if you are shooting with 8 bit, for example with an FS5 in UHD or an A7S, A7R etc, then I recommend you use S-Log2 with SGamut. Please only download what you need to save my bandwidth! To make a contribution please use the drop down menu here, there are several contribution levels to choose from. Please feel free to share a link to this page if you wish to share these LUT’s with anyone else or anywhere else. I’m currently working on a couple of different film stock emulations based combined with the Venice look highlight rendition. More contributions means more LUT offerings in the future. If in the future you should choose to use them on a paying project, please remember where you got them and come back and make a contribution. If you can’t afford to pay, then just download the LUT’s and enjoy using them. But I will let you pay what you feel is fair, all contributions are greatly appreciated and it really does help keep this website up and running. I feel that this LUT set is worth $25.00 and would really appreciate that being paid if you find the LUT’s useful. However a lot of work goes into creating and hosting these. The grading LUT’s can also be used in other monitors and devices such as the Atomos recorder/monitors.Īs always (to date at least) I offer these as a free download available by clicking on the links below. Included in the LUT sets are LUTs for grading (with exposure offsets), LUT’s for Small HD monitors and the Zacuto Gratical. So between the 3 sets of LUT’s offered in this download you should be able to find a set for most types of lighting with a variety of skin tone renditions. Taking that a step further I have also included an even stronger minus green offset in a further -G2 set of LUT’s. So do please give them a try for a warmer look for skin tones both with LED/Fluorescent lighting and also with full spectrum lighting such as tungsten and sunlight. Playing with these “-G1” LUT’s I have decided that I really like the slightly warmer and even less “Sony” look that these versions of the LUT’s give when shooting under “normal” lighting. These LUTs work with Premiere Pro, FCPX, DaVinci Resolve, and other software. There are LUTs for adding light and airy looks, luxury grey looks, cinematic greens, and much more. Featuring 5 hand-crafted LUTs, this bundle lets you optimize your videos with specific looks. The idea behind these was that they can be used for material shot under lights with a green tint such as many LED or fluorescent light fixtures. Creative LUTs Pack for Video Color Grading. While I was at it I also created another set of LUTs with a minus green offset. You will find these new version 3 LUT’s here in the packages below – but please read on…. This can make grading a little easier, especially in FCP-X. However in response to that feedback I created an additional LUT set that keeps the blacks slightly higher. I have received some feedback though that some people feel that the LUT’s may be crushing the blacks a bit too much for them, personally I think the deep shadows gives quite a film like look. I’ve seen quite a few good looking videos produced using them. Overall most people seem to like them and get some great results. I released my first version of the Venice Look LUT’s a few weeks ago and they have been a big hit. ![]()
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